사건 개요

사건의 발생 경위, 학교의 초기 대응과 반복된 실패를 체계적으로 정리합니다.

A close-up of a solid oak conference table in a university administration building, its grain rich and detailed, with a circle of empty, dark fabric office chairs pulled back slightly as if just vacated. On the table lie organized manila folders labeled only with neutral symbols, a digital voice recorder, a legal pad filled with carefully written notes, and a small desk calendar turned to the current month. Overhead fluorescent lighting creates a stark, even illumination with crisp reflections on the polished wood. Shot from a low, side-on angle that runs along the length of the table, the composition feels confrontational and formal. The mood is bold, serious, and procedural, evoking investigation and institutional responsibility in clean, photographic realism.
An expansive bulletin board in a university corridor, its cork surface almost completely covered with layered printed statements, anonymized forms, and policy diagrams, all carefully cropped so no readable text appears. Color-coded pins and strings create a web-like network across the board, connecting documents and timelines. The corridor’s concrete walls and polished floor reflect diffused fluorescent light, creating a cool, institutional ambience. Shot at a three-quarter angle with a shallow depth of field, the central cluster of pinned pages is in razor-sharp focus while the edges blur softly. The mood is investigative, bold, and analytical, evoking the process of meticulously documenting facts, building a case, and demanding accountability, rendered in realistic, documentary-style photography.

서울대 로스쿨 A교수 성폭력 사건

서울대학교 로스쿨 A교수 성폭력 사건은 강의실과 연구실 권력을 배경으로 반복된 성희롱·추행이 제기되었음에도, 학교와 법학전문대학원이 제때 조사·조치하지 않으면서 심각한 2차 피해와 책임 회피를 낳았습니다.

자료

공대위는 사건의 쟁점과 자주 묻는 질문, 관련 법·제도 자료를 한데 모아 누구나 이해하기 쉬운 언어로 정리하여, 연대와 행동이 필요한 이유를 분명히 제시합니다.

A minimalist university office desk made of pale birch wood, viewed from above, meticulously arranged with a thick, open policy handbook printed in Korean, sections highlighted in bright color, alongside sticky notes, a metal fountain pen, and a small digital clock. To one side sits a closed file box with a secure lock, symbolizing confidential reports, and a simple ceramic mug of untouched tea cooling slowly. Soft overcast daylight from an unseen window creates gentle, shadowless illumination, emphasizing clarity and transparency. The bird’s-eye composition is clean and organized, with strong lines and ample negative space. The atmosphere is focused, bold, and solution-oriented, emphasizing system reform and careful documentation in crisp photographic realism.
A night-time exterior of a modern university law school building, its glass façade reflecting the city’s faint lights, with the main entrance doors firmly closed and locked. On the broad stone steps in front, hundreds of evenly spaced, battery-operated candles in small transparent cups form a dense, glowing field, their soft flames flickering in the cool air. A few handmade-looking cardboard placards lie flat on the steps, turned away so no text is visible, suggesting protest without showing words. Shot from a low angle looking up toward the building, the composition contrasts the warm candlelight with the cold architectural lines. The mood is solemn yet determined, emphasizing collective solidarity through photographic realism and high contrast lighting.
A sturdy, weathered wooden podium standing alone in the center of an empty university lecture hall, the surface covered with neatly stacked printed documents, highlighted passages, and a closed laptop. Behind it, a large, unlit projector screen dominates the wall, flanked by chalkboards filled with faint, erased equations hinting at past lectures. Cool, diffused daylight filters through high side windows, casting long, somber shadows between rows of vacant seats. Photographed at eye level with a slightly wide angle, the composition emphasizes the isolation of the podium and the absence of people. The atmosphere is bold and tense, suggesting accountability and scrutiny, rendered in photographic realism with sharp details and muted, serious colors.
A close-up of a solid oak conference table in a university administration building, its grain rich and detailed, with a circle of empty, dark fabric office chairs pulled back slightly as if just vacated. On the table lie organized manila folders labeled only with neutral symbols, a digital voice recorder, a legal pad filled with carefully written notes, and a small desk calendar turned to the current month. Overhead fluorescent lighting creates a stark, even illumination with crisp reflections on the polished wood. Shot from a low, side-on angle that runs along the length of the table, the composition feels confrontational and formal. The mood is bold, serious, and procedural, evoking investigation and institutional responsibility in clean, photographic realism.